I recently started using a new brand of oil paints called chroma archival oils.
Chroma archival oil paints.
Oil paints oil based paints are highly regarded in the artist community and one of the most versatile forms of painting.
Euan macleod often paints thin glazes over thick uncured underpainting this would be disastrous with any oil other than archival.
I started using these oils after hearing about them in a home study course called mastering color by richard robinson.
These paints and mediums.
Archival series 1 oils offer a complete m.
Chroma archival oils lean medium 500 ml bottle.
Archival series 1 has a complete mixing palette of affordable colours which are highly pigmented and permanent and much more satisfying to use than traditional all one price student grade paints.
Most artists show a strong preference for fast drying paint but there are some painters who want to slow down the process so our range includes classic medium based on stand oil modified to be flexible.
Chroma archival oils are a fairly new addition to the oil painting industry.
Chroma archival oils lean medium is a very fluid general purpose alkyd resin medium that can be used to increase the flow and transparency of chroma archival oils as well as for glazing and other thin applications.
Oil paint gives a richness and depth of colour that is unsurpassed by any other medium and many professionals will only use oil paints.
Archival oils color chart.
Chroma archival oils lean medium is a very fluid general purpose alkyd resin medium that can be used to increase the flow and transparency of chroma archival oils as well as for glazing and other thin applications.
Produced from the finest pigments chosen for their purity brilliance and performance.
Archival classic medium a medium for painters who prefer slower drying.
I like these paints so much that i thought i would do a short review post.
Chroma archival oils are a professional artist s oil that s accessible to students and amateurs.
They take a long time to dry but the results are amazing.